Galerie des Modes, 3e Cahier de Grandes Robes d'Etiquette, 1ere Figure

-
 Robe de Cour with hoop, trimmed with dotted ermine.

To the Marquise de Torre Monsamal:

"1785, 8 March. - 10 ells of spring fabric is gros de Naples with a white ground, spangled with silver and lilac for a wide-hooped gown at 120 livres ... 1,200 livres.

"Two pieces of spangled crêpe embroidered with lilac sequins in medallions for the petticoat at 200 livres ... 400 -

"The trimming of said gown, the drapery bordered with a fringe of silver tassels with a garland of silver and lilac sequins or a pleated ruffle of silver blonde edged with a fringe, a butterfly bow fringed at each corner, the bottom of the parement matching, the manchettes trimmed with fringe, the petticoat in spangled and striped crêpe trimmed with a volant of spangled and satin-striped crêpe edged with a fringe and tatting, a garland in lilac sequins and silver-spangled bows ... 1,080 -

"A gown edging in blonde ... 15 -

"A parure of three bows in spangled silver lamé ribbon ... 60 -

"The matching stomacher en barrière ... 27 -

"A pair of manchettes with three rows of very beautiful blonde of an extraordinary width on a fine tulle ... 216 -

"A chérusque in a matching beautiful blonde ... 120 -

"A shift trimmed with a row of beautiful blonde ... 48 -

"A blonde frill ... 27 -

"A pouf edged with a barrière of lilac sequins, a pleated ruffle of very beautiful blonde, three plumes with lilac tips, blonde gauze and ribbon behind ... 240 -

"A side bouquet of variegated carnations and Spanish jasmine ... 48 -"

Dossiers Bertin (Doucet Library)

Comments

Post a Comment

Popular posts from this blog

Pride and Prejudice 1995: The Little Things

-
Image
I did threaten to write about the Ehle/Firth Pride and Prejudice , and since I'm in a writing mood without a topic I decided to make good. Regency adaptations tend to go for an overall accurate look, interpreting age and income within the confines of realistic silhouettes and colors, and so they avoid the scrutiny and reputation that a more obviously artistic and unrealistic production garners. But just as this version of P&P  is not entirely faithful in every respect (e.g. the added Darcy-perspective scenes, the actors nearly all being significantly older than their characters - perhaps the most egregious example being Julia Sawalha in her late twenties playing teenage Lydia), Dinah Hill's costuming is not entirely accurate - mainly in ways that make the period more appealing to modern tastes. The exact date when the story is set is never given; generally, the movie's taken to be set in 1813, when the book was published. I'm not going to go into the full story of
Read more

Ca. 1866 Brown Gown - A Close-Up Look

-
Image
  Hello, everyone! It’s Cassidy, Mimicofmodes here, on Twitter, on Tumblr, on Reddit, and on Etsy.  Anyway, I have a small but fantastic collection of historic clothing. Antique historic clothing, not pieces I’ve made. A few of the pieces I bought myself, at thrift shops and on eBay and Etsy, but most of it was very kindly given to me several years ago by a blogging friend, Natalie Ferguson . Unfortunately, I’ve never had the chance to do anything much with them – but I’m so excited to be able to share them with the world this way! My collection ranges from a late 18th century shift to a 1980s cocktail dress, with most pieces from the early 20th century. At first I thought I could show you this gorgeous Edwardian evening skirt – the bodice apparently didn’t survive, or maybe it was sold separately at some point – but it’s very delicate. I wouldn’t want to put it on my dress form. I also don’t have a large enough space on the floor to lay it out! However, I’m moving this winter, and I s
Read more

Pattern Time: 1860s Chemise

-
Image
For my 150th post ( \o/ ), a quick little pattern someone might find useful. When I was working my way through a box a few weeks ago, I came across a chemise that didn't quite want to lay flat.  I took a closer look at it to figure out why, and noticed that it had a unique construction with the sleeves cut in one with the body and gussets inserted in the neckline.  I did a really quick sketch of the cutting layout and measured the important bits, so that when I got home I could draw it up in proportion on graph paper. (nb. I messed up. I've been noticing it for a while, but didn't want to point it out from shame, but I accidentally gave the neckline length as it is when gathered - the horizontal cut should be much longer, to within about four inches of the side seam. Please correct for this when making your own version.)
Read more