A Most Beguiling Accomplishment

Somehow, I'd never made a bib-front gown before. But when I was given a length of cotton by a new friend at the 2018 regional CSA symposium, I knew it was going to be for something from  Regency Women's Dress - and as that was the place where I realized that the awkwardly-fitting stays I'd made years before were actually transitional , I wanted to sew a transitional gown as well to wear over them. The one I eventually made is based on both bib-front patterns in  RWD : the bodice is from the one with long sleeves (at the Fenimore Art Museum, p. 42), and the skirt from the other (at Old Sturbridge Village, p. 46). Scaling and sizing it up was not too problematic - I think the trickiest part was figuring out the appropriate size for the bib. The sleeves I didn't even touch, as the sleeve head is very large and my forearms are slim, but the fit was ... very close. They're also long, cut to scrunch up on the arm, which I love Me and Katie Lovely ! Both of us in pr

FIFTH CHAPTER Explanation of the Terms of the Art, spread through in the previous Article and in the following. We thought that it would be more convenient and more comfortable to the reader to find the explanation of the terms of art used in the previous and following articles here, than to have to go look at the end of the book. The term “row” is applied not only to the ruffles of a cap, but also to the sleeve ruffles, when there are several layers of cloth or lace one over the other; that's why one says, “Cap with two rows”, “Manchettes with three rows”, etc. The term “band” is applied not only to coiffures and caps, but also to all lengths of linen, muslin, etc. of small width, which are used to edge several pieces of lingerie. The “trimming” consists of bands that are placed around the edges of certain pieces of lingerie. “The selvage at the bottom, on the front, etc.” are expressions which signify that the piece must be cut so that the selvage of the fabr