Thinking about Two Paintings
Two paintings from my last post - I have no real conclusions on them, but I find that writing as though I'm talking to someone else sometimes helps me understand things.
- Amadis sleeves
- Heavyish muslin used
- Double ruffle around the neckline recalls the original construction of the chemise gown (which I should really have done a post on)
- Kerchief tucked into the neckline
- Some gathering in the front, but the back seems to be fitted
- Round waistline, at or the slightest bit higher than the natural waist
- Amadis sleeves again! More shaped than the last ones, I think, but Mrs. Cooke's painting is brushier and it could just be about that
- Kerchief is on the outside
- Muslin embroidered with white spots?
- Open robe over a matching petticoat
- Slightly low-waisted
- And the most confusing thing: the waistline of the dress itself is a little high, you can see it above the sash. I don't understand it at all. A countess wouldn't have a dress made in a style she didn't want to wear. No idea, no idea at all.
And looking at these - there's a third painting I should take into account:
- Long, shaped sleeves without the ruffle
- No ruffles at all, much cleaner
- Very solid cotton fabric
- Bib-front opening
- Round gown
- Kerchief worn inside neckline, less voluminous
- Amadis sleeves
- Heavyish muslin used
- Double ruffle around the neckline recalls the original construction of the chemise gown (which I should really have done a post on)
- Kerchief tucked into the neckline
- Some gathering in the front, but the back seems to be fitted
- Round waistline, at or the slightest bit higher than the natural waist
- Amadis sleeves again! More shaped than the last ones, I think, but Mrs. Cooke's painting is brushier and it could just be about that
- Kerchief is on the outside
- Muslin embroidered with white spots?
- Open robe over a matching petticoat
- Slightly low-waisted
- And the most confusing thing: the waistline of the dress itself is a little high, you can see it above the sash. I don't understand it at all. A countess wouldn't have a dress made in a style she didn't want to wear. No idea, no idea at all.
And looking at these - there's a third painting I should take into account:
Portrait of Madame Emilie Seriziat and her Son, Jacques-Louis David, 1795
- Long, shaped sleeves without the ruffle
- No ruffles at all, much cleaner
- Very solid cotton fabric
- Bib-front opening
- Round gown
- Kerchief worn inside neckline, less voluminous
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