Galerie des Modes, 2e Cahier de Grandes Robes d'Etiquette, 1ere Figure

-
Grand Robe de cérémonie for the Gala. 

Reverences. - "... But there is the Master of the presentation reverences. It is necessary to make the reverences while going backwards, and to adroitly throw aside the train with the heel. It is an exercise that is made going forward several times, before a large mirror, and with the greatest seriousness. Oh my dear Rabelais! see that the master of reverences acts as the king. One takes his hand, and bends in front of him, but one does not drop it. One drops that of the king, when he does not deign to embrace the one presented; which he does most often, for the kings of France are very gallant. They ceremoniously embrace ugliness as well as beauty. Oh truly great complaisance!"

SEBASTIEN MERCIER, Tableau de Paris, 1788

Comments

  1. Gabriela SalvadorNovember 8, 2013 at 10:31 PM

    WOW this is a whole lot of *Christmas*! Hehe I see peppermints, garland, seasonal colors...scrumptious!

    ReplyDelete

Post a Comment

Popular posts from this blog

Pride and Prejudice 1995: The Little Things

-
Image
I did threaten to write about the Ehle/Firth Pride and Prejudice , and since I'm in a writing mood without a topic I decided to make good. Regency adaptations tend to go for an overall accurate look, interpreting age and income within the confines of realistic silhouettes and colors, and so they avoid the scrutiny and reputation that a more obviously artistic and unrealistic production garners. But just as this version of P&P  is not entirely faithful in every respect (e.g. the added Darcy-perspective scenes, the actors nearly all being significantly older than their characters - perhaps the most egregious example being Julia Sawalha in her late twenties playing teenage Lydia), Dinah Hill's costuming is not entirely accurate - mainly in ways that make the period more appealing to modern tastes. The exact date when the story is set is never given; generally, the movie's taken to be set in 1813, when the book was published. I'm not going to go into the full story of
Read more

Ca. 1866 Brown Gown - A Close-Up Look

-
Image
  Hello, everyone! It’s Cassidy, Mimicofmodes here, on Twitter, on Tumblr, on Reddit, and on Etsy.  Anyway, I have a small but fantastic collection of historic clothing. Antique historic clothing, not pieces I’ve made. A few of the pieces I bought myself, at thrift shops and on eBay and Etsy, but most of it was very kindly given to me several years ago by a blogging friend, Natalie Ferguson . Unfortunately, I’ve never had the chance to do anything much with them – but I’m so excited to be able to share them with the world this way! My collection ranges from a late 18th century shift to a 1980s cocktail dress, with most pieces from the early 20th century. At first I thought I could show you this gorgeous Edwardian evening skirt – the bodice apparently didn’t survive, or maybe it was sold separately at some point – but it’s very delicate. I wouldn’t want to put it on my dress form. I also don’t have a large enough space on the floor to lay it out! However, I’m moving this winter, and I s
Read more

Pattern Time: 1860s Chemise

-
Image
For my 150th post ( \o/ ), a quick little pattern someone might find useful. When I was working my way through a box a few weeks ago, I came across a chemise that didn't quite want to lay flat.  I took a closer look at it to figure out why, and noticed that it had a unique construction with the sleeves cut in one with the body and gussets inserted in the neckline.  I did a really quick sketch of the cutting layout and measured the important bits, so that when I got home I could draw it up in proportion on graph paper. (nb. I messed up. I've been noticing it for a while, but didn't want to point it out from shame, but I accidentally gave the neckline length as it is when gathered - the horizontal cut should be much longer, to within about four inches of the side seam. Please correct for this when making your own version.)
Read more