The New Look?
I've written a lot (a lot ) about why it's wrong to put Chanel, and even Chanel plus Poiret, up on a pedestal as the pivot(s) of a sharp turning point in fashion, but I've only touched on Dior and the New Look once or twice. Just like the earlier narrative compresses time to juxtapose frothy Edwardian gowns against the short, narrow dresses of the mid-late 1920s, the centering of Christian Dior as the inventor of stereotypical 1950s fashion in 1947 is a big oversimplification. Women's fashion for much of the 1930s was streamlined: the overall emphasis was on a sleek line from shoulder to ankle. At the beginning of the decade, the tubular figure of the 1920s was still common, but within a few years dresses and skirts were being worn with waistbands and belts at the natural waist. By 1935, it was common for jackets to be made with built-up or padded shoulders, turning the silhouette into a long, slender carrot shape "Afternoon suit: solid-colored silk dress, t